Theaterstuk online dating

In the Middle Ages, the Mummers Play was a traditional English folk play, based loosely on the Saint George and the Dragon legend, usually performed during Christmas gatherings, which contained the origin of many of the archetypal elements of the pantomime, such as stage fights, coarse humour and fantastic creatures, The development of English pantomime was also strongly influenced by the continental commedia dell'arte, a form of popular theatre that arose in Italy in the Early Modern Period.This was a "comedy of professional artists" travelling from province to province in Italy and then France, who improvised and told comic stories that held lessons for the crowd, changing the main character depending on where they were performing."Harlequin and ________", or "Harlequin _______; or, the ________".In the second case, harlequin was used as an adjective, followed by words that described the pantomime "opening", for example: Harlequin Cock Robin and Jenny Wren; or, Fortunatus and the Water of Life, the Three Bears, the Three Gifts, the Three Wishes, and the Little Man who Woo'd the Little Maid.An 18th-century author wrote of David Garrick: "He formed a kind of harlequinade, very different from that which is seen at the Opéra-Comique in Paris, where harlequin and all the characters speak." The majority of these early pantomimes were re-tellings of a story from ancient Greek or Roman literature, with a break between the two acts during which the harlequinade's zany comic business was performed.The theatre historian David Mayer explains the use of the "batte" or slapstick and the transformation scene that led to the harlequinade: Rich gave his Harlequin the power to create stage magic in league with offstage craftsmen who operated trick scenery.Modern pantomime includes songs, gags, slapstick comedy and dancing, employs gender-crossing actors and combines topical humour with a story loosely based on a well-known fairy tale, fable or folk tale.It is a participatory form of theatre, in which the audience is expected to sing along with certain parts of the music and shout out phrases to the performers.

Pantomimes usually had dual titles that gave an often humorous idea of both the pantomime story and the harlequinade.In the first two decades of the 18th century, two rival London theatres, Lincoln's Inn Fields Theatre and the Theatre Royal, Drury Lane (the patent theatres) presented productions that began seriously with classical stories that contained elements of opera and ballet and ended with a comic "night scene".Tavern Bilkers, by John Weaver, the dancing master at Drury Lane, is cited as the first pantomime produced on the English stage.Harlequin was the first word (or the first word after the "or") because Harlequin was initially the most important character.The titles continued to include the word Harlequin even after the first decade of the 1800s, when Joseph Grimaldi came to dominate London pantomime and made the character, Clown, a colourful agent of chaos, as important in the entertainment as Harlequin.

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